Explaining Relativity - Rebecca Elson

Forget the clatter of ballistics,
The monologue of falling stones,
The sharp vectors
And the stiff numbered grids.
   
It's so much more a thing of pliancy, persuasion,
Where space might cup itself around a planet
Like your palm around a stone,
   
Where you, yourself the planet,
Caught up in some geodesic dream,
Might wake to feel it enfold your weight
And know there is, in fact, no falling.
  
It is this, and the existence of limits.
       
(received from an astrophysicist this morning)

 

Ginsberg: Poem Rocket

Extracts from 'Poem Rocket'

This is my rocket my personal rocket I send up my message

Beyond

Someone to hear me there

My immortality

without steel or cobalt basalt or diamond gold or mercurial fire

without passports filing cabinets bits of paper warheads

without myself finally

pure thought

message all and everywhere the same

I send up my rocket to land on whatever planet awaits it

preferably religious sweet planets no money

fourth dimensional planets where Death shows movies

plants speak (courteously) of ancient physics and poetry itself is manufactured by the trees

the final Planet where the Great Brain of the Universe sits waiting for a poem to land in His Golden pocket

joining the other notes mash-notes love-sighs complaints-musical shrieks of despair and the million unutterable thoughts of frogs

moon+over+imperial+web.jpg

The moon over Imperial College and a brilliantly lit planet.....

Beautiful surface

Found in the mathematics section of the Science Museum, this model was used in the late ninteenth century to illustrate lectures on equations.  It is the surface for: Z=3a(x2-y2)-(x3+y3)

model+2+web (1).jpg

The blue line is a straight line, the green lines are ellipses, the red lines are parabolas, the black and yellow lines - cubic equations and the dark red line - a simple contour line.

Models like this inspired artists like Henry Moore and Max Ernst.